Amara West project blog

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Investigating life in an Egyptian town

Amara West 2017: Greetings from Osiris!

Elisabeth Sawerthal (King’s College, London)

Working on objects in a study season involves the close cooperation of different specialists on the same objects. This became especially apparent in the last days …

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Elisabeth pondering coffin fragments for illustrating

As an illustrator for the study season at Amara West, I get to work on a great variety of types of objects collected over eight seasons of excavation at the site. These objects need to be drawn for final publication and further study. In their own way, all objects provide fascinating insights into the lives of the ancient town’s inhabitants. They range from very beautiful miniature amulets, including a wadjet-eye, and ivory beads, to the very practical diagnostic potsherds analysed by our ceramicist Valentina Gasperini, which can be visually reconstructed through a simple drawing. Other, less well preserved materials initially seem rather unimpressive in terms of aesthetics, but nonetheless, they help us deepen our understanding of life and death in the New Kingdom town of Amara West. Such is the case with the wooden coffin fragments from tomb G322 in Cemetery D, excavated in 2016, and tomb G244 (Cemetery C, excavated in earlier seasons) which I am currently drawing.

My task is to produce an accurate image of each piece that complements the more “neutral” photograph, and draws attention to the object’s most important features. This involves a consideration of the relationship between individual coffin fragments, as to if and how they were attached to each other. For this, I draw each fragment separately and then combine them to recreate a bigger surface, somewhat like a jigsaw puzzle. Particularly interesting details are traces of paint on the surface – mostly fragmented lines and patches of black, white, red, yellow and Egyptian blue – which I highlight with my drawings in order to facilitate a reconstruction of the original decorative motif. Hardest to identify by far, as often particularly badly preserved, is Egyptian blue, a specific man-made blue pigment, later exported to other parts of the ancient world, including Greece and the Near East.

We are again using VIL photography. The adapted camera can detect minute quantities of Egyptian blue, using a method developed by Giovanni Verri (formerly British Museum scientist, and now at the Courtauld Institute). Egyptian blue luminesces in the infrared spectrum when it is excited by visible light, so if it can be photographed with an infrared-sensitive camera while illuminated it will glow very brightly – even if nothing is visible to the naked eye!

One evening, having identified three possible lines and a few small patches of Egyptian blue on an otherwise completely unimpressive coffin fragment from tomb G322 in Cemetery D, we undetook VIL photography of the piece. Our aim was to gain some clarification on the outlines of the remains of paint for my drawing. In expectation of further little blobs and bits of blue, we were totally surprised by what appeared on the camera display: “glowing areas” that made up a band of readable hieroglyphs.

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Photograph (left) and VIL-image (right) of a painted coffin fragment, showing a column of inscription (F8767h/j/k/l/m)

This column of inscription must have been positioned centrally on top of the lid of the coffin, and reads “words spoken by Osiris”. After this unexpected success we continued to take VIL photographs of other coffin fragments from the same tomb and discovered further traces of Egyptian blue hieroglyphs and an image of a bird with outstretched wings.

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Photograph (left) and VIL-image (right) of a painted coffin fragment, showing wings of a bird (F8767a/b/d/e)

Elina Rodriguez Millan (Spectrum Heritage, Edinburgh)

The pieces of this coffin had been consolidated on site directly during the excavation by Maickel van Bellegem in 2016 as the remaining fragments are incredible thin and otherwise would not have been able to be lifted. As with most conservation treatments in the field, Maickel aimed to stabilise the finds so they could be removed to safe storage at the dig house, where they would await further study.

In contrast, during a study season, we are poring over the objects in more detail, and sometimes require further cleaning or consolidation of objects. In this case, the consolidated fragments of the coffin had a thin layer of sand, and some small stone fragments, on top of them due to the difficult conditions in the tomb: wind, dust, swirling sand. If they were plain fragments, they probably wouldn’t need to be treated further, but in this case, removing the sand layer is key to unveil further parts of the inscription they hold. That is why, as soon as the inscription was discovered by Manuela and Elisabeth, I was asked to work on this exciting fragments and, soon, the biggest coffin fragment was brought to the conservation lab.

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Elina cleaning part of the front of a painted coffin

Given that most part of the inscriptions and decoration are only visible with UV light in the evenings, cleaning the coffin fragments during the day has proven to be quite tricky! That’s why I constantly use the VIL photographs as a reference, to see which areas are more likely to hold hieroglyphs that will help decipher the inscription. These photographs cover the conservation room wall, and are changed whenever we take new photographs, to see the progress of the treatment.

 

 

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Filed under: Amara West 2017, archaeology, conservation, New Kingdom, objects, Uncategorized

Amara West 2017: local/non-local flint tools

Nora Shalaby, Freie Universität Berlin

Nora photographing flint assemblages

Nora photographing flint assemblages

Among the thousands of finds being studied at Amara West this season, I have been looking at hundreds of flint implements that were excavated from the site. Unsurprisingly, the majority of pieces come from within the settlement, with only three implements having been found in the cemetery.

The preliminary documentation and study of the almost 350 pieces has already uncovered some aspects about the lithic industry at Amara West. There appears to be the use of both local and non-local material for the manufacture of tools.

The local material consists of small pebbles that would have been easily accessible and readily available in the vicinity. They vary in color, are marked by dull cortexes and are usually of poorer quality material. The tools produced from these local pebbles would have been relatively small in size, the pebbles themselves having little flexibility to produce a wide range of tools.

Flint tools made from local material

The non-local material is characterized by nodules that would have been much larger in size, producing flakes and blades of much larger dimensions. They are mostly beige to greyish-beige in color, sometimes still retaining their chalky white cortex, which suggests that they were quarried rather than simply picked up. There are others which are a dark chocolate brown, but are fewer in number. The presence of large unworked flakes and blades from this material within the assemblage is a good indication that the tools were being worked on site, although there is as of yet little evidence of production waste, or a possible workshop where they were being produced – perhaps in areas yet to be excavated?

Flint tools made from non-local material

An interesting question to ask is whether the settlement was being supplied from outside with these quarried nodules, or perhaps prepared blanks, for tool production, or whether the residents/knappers were quarrying the flint themselves? It still remains to be seen whether there are any flint raw material sources close to the site.

In terms of the types of tools that were being produced, the majority are segmented blades/sickle blades, made with both the local and non-local material. In many cases, the characteristic sheen – that develops along the edge of the blade when cutting through plant fibres – is present. The technology of production is the same on all pieces – truncated short ends, and retouch along the lateral edges, but with little standardisation in shape. Those made on local pebbles are of course much smaller in size. Apart from sickle blades, there are a number of ad hoc and informal tool types such as notches and a few end-scrapers, but they are much fewer in number. It is clear that the real use of flint at the settlement was for the production of sickle blades needed in agriculture. Use-wear analysis on the edges of the blades with sheen can help clarify the different types of material they were being used on and so confirm their exact function.

Further on, it will be interesting to examine the spatial distribution of the tools and debitage within the settlement and determine whether specific patterns arise, integrating flint artefacts found in Egypt Exploration Society excavations at the site in the 1930s and 1940s. Did some areas have access to the non-local material, while others depended on local pebbles for production, or was there an equal distribution?

Hopefully some of these questions can be answered by the end of the season!

Alongside regular updates on the blog, follow the season on Twitter: @NealSpencer_BM and #amarawest

If you would like to leave a comment click on the title

Filed under: Amara West 2017, archaeology, objects, settlement, tools

Amara West 2017: sleeping beauties

Manuela Lehmann, Project Curator, Department of Ancient Egypt and Sudan

Wood to sift through...

Wood to sift through…

I started with wooden objects this season. Though organic material is generally poorly preserved at Amara West, we have an astonishing amount of wooden remains collected over the years. Almost all of this comes from tombs excavated in the two cemeteries: very little survives from the town.

Much of the material had to be conserved in situ while the excavation was ongoing, as the wood is very damaged due to termites, and being crushed by the collapse of the burial chamber roofs. The tiny wood remains were collected in bags, and we can now spread it out and sift through for distinctive carved decoration or diagnostic shapes that tell us about the original objects

Joining components from an ancient angareeb bed

Joining components from an ancient angareeb bed

The most interesting objects are the remains of the funerary beds. They seemed to have been very similar to the wooden angareeb beds that are still in use in Sudan today. The frame of the bed consisted of beams around which the stringing of the bed was tightly wrapped: many such pieces have survived and seem to be quite consistent in width and thickness. A few fragments of the actual fibres of the middle part of the bed are preserved as well.

The bed legs comprised three parts: the base itself, at least one middle part and an upper part into which the beams of the frame were inserted into recesses. So far fragments of a smaller and a larger size of terminals have been identified. There also seem to have been sets with cuboid components in combination with cylindrical elements

All of these are decorated in very similar patterns, mostly with horizontal incised lines that run parallel to each other around the components. A few objects show more elaborate patterns such as elongated vertical rectangular fields or zig-zag-lines in the style of the Egyptian hieroglyphic waterline.

In addition, there are a few preserved remains that may be parts of the footboards of such beds, similar to those known from tombs in Kerma. But the famous inlays that were found there have not been found in the Amara West examples.

Manuela working with the wood fragments, seeking joins

Manuela working with the wood fragments, seeking joins

The study of the material has so far lead to the joining together of many more fragments enabling us in the end to determine a minimum number of beds used in the tombs.

Due to the carving elements of the legs the thinnest diameter among the elements is often only 2cm per leg which would likely not have been strong enough to carry an adult person. It therefore seems like some of the beds might have been produced only for the burial itself. One circular element of a wooden bed leg was found in the town as well, suggesting the use of the same designs for the beds of the living.

Modern angareeb bed leg

Modern angareeb bed leg

Interestingly, the modern angareeb beds still show many similarities with the ancient versions in terms of decoration, as today incised lines are also often used and the legs mostly end in cuboid parts above which cylindrical components of decoration can be found

Parallels from other ancient cemeteries suggests head-rests and the body of the deceased would have been placed on the beds. Some examples of head-rests can be found amongst the wood from the burials at Amara West: the examples studied so far consist of three parts that were assembled. The base is usually rectangular and quite long and flat with a smaller middle part that tapers into a raised oval shape with a recess. Here the middle part would have combined the base with the top part that had the rounded concave surface that supported the head. Often the bases are decorated like the beds with the pattern of incised parallel lines. In this way the bed and head-rest were built as sets, matching in style. Sometimes more elaborated versions can be found with finer line decoration.

A flat wooden element, perhaps from a coffin

A flat wooden element, perhaps from a coffin

The body of the deceased was quite often placed into coffins or wrapping that was then put onto the bed. Yet it is not easy to identify which of the surviving wooden fragments belonged to the coffin and which to the bed. The coffin fragments often do not have much of their original plaster and paint preserved, with only a few fragments still bearing traces of vivid colours like red, yellow, Egyptian blue or black. Often perforations for dowels and tenons give indications about the techniques used in the woodwork.

Substantial amounts of wooden branches were found that still have their bark on them and therefore were not worked, or at least very little. They are too long to have been used as a dowel and their diameter is too thick. Maybe some of the bodies were wrapped in some sort of matting that was produced with branches and twigs as is sometimes still used in the Sudan for burials of infants.

Even with their fragmentary and often badly preserved state, it is clear that there is a lot to be learned from the study of wooden remains. I am looking forward to more exciting discoveries as I sift through all the material and piece together more fragments!

Alongside regular updates on the blog, follow the season on Twitter: @NealSpencer_BM and #amarawest

If you would like to leave a comment click on the title

Filed under: Amara West 2017, archaeology, conservation, funerary, New Kingdom, Nubian, Nubian traditions, objects

Amara West 2017: a different kind of season

Neal Spencer, Keeper of Ancient Egypt and Sudan

A silent, deserted, Amara West seen from the river-side dunes

A silent, deserted, Amara West seen from the river-side dunes

After 9 seasons of daily pre-dawn Nile commutes, the clatter of excavation tools scraping against pottery sherds and the climatic extremes of the site – chilly mornings, howling winds, plagues of nimiti-flies and hot, dry afternoons – this is going to be very different.

Our excavation house will be the setting for the whole team. Where once the house was brimming with up to 30 specialists, and deluged daily with pottery, finds, sample bags, skeletons – alongside drawings, digital images and other documentation – it is now a spacious oasis of calm, with only seven of us here to start this study season, alongside our cook Ali Dal.

The dig house on Ernetta island

The dig house on Ernetta island

With over 10,000 objects, and many many more pottery sherds, this is our opportunity to lay out similar types of objects, or arrange them in groups depending on which room, house or neighbourhood of the town they were found in. We then consider what needs drawing or photographing. Most crucially we have the time to think about the artefacts, pore over them, and try to understand how they were made, how they functioned, and how some were modified or re-used. Later will come library time, to research parallels, and eventually the writing up. But now is the time to compare objects, turn them over, hold them in a different light, try joining fragments.

The dusty mud fragments in these wooden trays are the only remnants of a colourful niche – probably a shrine – in house E13.7

The dusty mud fragments in these wooden trays are the only remnants of a colourful niche – probably a shrine – in house E13.7

I’ve been working on a series of painted and moulded mud fragments that I think came from a household shrine in house E13.7, while elsewhere in the same room Manuela Lehmann has been examining fragments of the funerary beds (angareeb) found in the cemetery, as Nora Shalaby studies the flint blades and tools.

In the adjacent courtyard, the salon – the old house’s reception room – is home to Valentina Gasperini analysing pottery, Elisabeth Sawerthal drawing a range of finds, and Shadia Abdu Rabo. Shadia is combing through the jewellery excavated since 2009. Meanwhile, Elina Rodriguez – familiar with another era of Amara West excavations – is deep in the cool and dark finds storeroom, resolving numbering problems and registering artefacts from last year.

Manuela sifting through a box of coffin fragments to select fragments to draw – those which offer clues to the original decoration

Manuela sifting through a box of coffin fragments to select pieces for drawing – those which offer clues to the original decoration

Even without excavations, there’ll still be discoveries and insights, and we’ll post some of our findings in the coming weeks. That is all subject to our internet connection, which is much worse now than in 2009, despite an array of dongles and smartphones that confidently proclaim “3G”.

Meanwhile, we’ll wonder if the traditional four meals a day – including an archaeologists “second breakfast” at 11am – really is a good idea for this studious yet sedentary season.

Alongside regular updates on the blog, follow the season on Twitter: @NealSpencer_BM and #amarawest

If you would like to leave a comment click on the title

Filed under: Amara West 2017, archaeology, ceramics, funerary, New Kingdom, objects, pottery

Manuela and Maarten vs. the Basement Crates

Maarten Praet, Leuven University

Metal crates with samples, awaiting sorting

Metal crates with samples, awaiting sorting

Most people think of archaeologists digging in the dirt. What many don’t realise is that the archaeological process doesn’t end when the excavation is over. Samples of bricks, ceramics, charcoal, bones, and others that were taken while excavating, still need examination and analysis. Projects like that of Amara West are generously permitted by the National Corporation for Antiquities and Museums (Sudan) to export samples for further study. When the samples first arrive back in London at the British Museum they must be transferred to a freezer to kill any potential pests, a process undertaken for all incoming objects to protect the collection.

After that, all the samples – packed in about thirty metal crates – are sorted and stored permanently to be available for further analysis. And that is where I came in…

As a master’s student in Egyptian archaeology from Belgium, I made the trip over the Channel in order to assist the team with the processing of their archaeological data. Manuela Lehmann, project curator at the British Museum, was planning on tackling the crates in the basement, all fully stacked with samples. I have to admit that seeing those heavy crates full of dirty sample bags was not a very comforting sight.

Maarten sorting samples by number and type

Maarten sorting samples by number and type

The sample bags needed to be sorted by number and then transferred into a designated drawer for permanent storage. As there have been several excavation seasons over the past few years we first had to order the bags by season, from 2008 up until the most recent fieldwork of 2016. Next, the bags were separated according to the different types of samples: botanical, petrographic and phytolith samples. Phytoliths are the microscopic silica structures that remain after the decay of a plant. We also have skeletal samples (human and animal), alongside bulk samples.

Crates with human bones were moved to a designated storage area for bioarchaeological material, where Michaela Binder will complete their study next year. The animal remains, on the other hand, will be transported to the University of Southampton for further analysis led by Jaco Weinstock.

After this back-breaking job was done, everything was in drawers for long-term storage, other than two crates of sorted and ordered archaeological samples. Manuela and I had defeated the basement crates … it’s now over to the scientists to investigate the samples.

Phytolith of a sedge-plant from Amara West. Image: Philippa Ryan

Phytolith of a sedge-plant from Amara West. Image: Philippa Ryan

Alongside regular updates on the blog, follow the season on Twitter: @NealSpencer_BM and #amarawest

If you would like to leave a comment click on the title

Filed under: Amara West 2016, archaeology

Amara West 2016: the cemetery… from the Mesolithic to pyramids

Michaela Binder, Austrian Archaeological Institute

Pyramid tombs G321 (left) and G320 (right) in Cemetery D of Amara West

Pyramid tombs G321 (left) and G320 (right) in Cemetery D of Amara West

After eight seasons of excavations in the cemeteries of Amara West, we were done. As is usual in archaeology, those weeks in January and February 2016 were full of surprises, some pleasant and some not so much.

But let’s start from the beginning. Sticking to our plan set out at the start of the season, Sofie, Michelle and Mohamed Saad returned to the elite cemetery D to finish the excavation of three large pyramid tombs (G320, G321 and G322), which we had already excavated (superstructures and shafts) in 2015. Expectations were very high, having already discovered shabtis of Paser, Deputy of Kush, in tomb G320.

A somewhat challenging work environment under the protective tables in the burial chambers

A somewhat challenging work environment under the protective tables in the burial chambers

Equipped with new safety installations to protect excavators in the funerary chambers carved into the friable schist bedrock, the aim for 2016 was to finally explore the content of those subterranean rooms. In G321, a tomb provided with a large 8x8m pyramid, the substructure proved to be heavily looted but nevertheless offered important insights into funerary culture at Amara West. Dating to the 20th Dynasty – based on the assemblage of vessels – its owners opted for an interesting mix of Egyptian (tomb architecture, Egyptian style pottery, scarabs) as well as local Nubian (funerary beds) elements in funerary ritual. This conforms well to observations already made in other parts of the cemetery, as well as in the town, and reveals that this trend was followed even amongst the most elite.

Unfortunately, no artefacts revealing the identity of the tomb owner were recovered. Nevertheless, based on the dimensions and location of the tomb it is safe to assume that the tomb’s owner would have been one of the most high-ranking officials at Amara West. The strong Nubian influence in the funerary equipment may further indicate that he was indeed local.

Despite its small, unassuming entrance, tomb G322 turned out to be the most rewarding of the three tombs. Even though it had also been looted in antiquity, four burials and the base of a wooden coffin decorated with painted plaster were recovered intact form the first of the three burial chambers. This chamber also held an assemblage of over 20 complete vessels, including some a Canaanite amphora imported from the Levant. All these vessels indicate that the tomb was constructed in the early 19th Dynasty, early in the history of the town Amara West. Most importantly however, the northern burial chamber held part of shabti with the name of Ibay. Who he was and what his function at Amara West was remains yet unclear but based on size, location and wealth of his tomb he would have certainly been high up in the provincial administration of Kush (Upper Nubia).

The tomb that had yielded shabtis of Paser, G320, unfortunately frustrated us. The ceiling of the substructure, located 7, below the surface, was fully collapsed. The large boulders in the entrance and cracks in the still intact rock above the chambers proved too large an obstacle and acted as a reminder of the dangers of the unstable schist bedrock. Consequently, excavation was impossible.

Burial mounds of G250 in Cemetery C with settlement of Amara West in the background

Burial mounds of G250 in Cemetery C with settlement of Amara West in the background

On the plus side, the early end of excavation in G320 gave us time to excavate two tombs, G250 and G251, in an unexplored area of Cemetery C. Located on the escarpment east of the cemetery were two isolated and small burial mounds, conforming in size and architecture to other examples in Cemeteries C and D. However, in contrast to the tombs in Cemetery C, both had rock-cut substructures. In the case of G250, it consisted of a sizable rectangular shaft similar to our post-New Kingdom niche burials, even though a niche itself was missing. Nevertheless, the location, size and rock-cut nature signify a special position of the person buried in tomb at some point during the 10th-9th centuries BC.

The second tomb – G251 – turned out to somewhat different. The pottery is fascinating – it includes “Khartoum Variant” (Mesolithic; 6000-4500 BC) sherds, but also forms that might be of C-Group, Pre-Kerma or Kerma (3000-1600 BC). Clearly a burial that long pre-dates the Ramesside occupation at Amara West, further research is needed to clarify at what date the tomb was constructed, and if some of the pottery (the Mesolithic) was recycled from nearby occupation sites.

A magical place: one of the many great sunrises over the Nile at Amara West

A magical place: one of the many great sunrises over the Nile at Amara West

Here ends our excavation project in the cemeteries of Amara West: analysis, interpretation and publication lies ahead. It is very sad for me to say good bye to this magical place for now, but they say “who once drank from the Nile will always come back”.

Alongside regular updates on the blog, follow the season on Twitter: @NealSpencer_BM and #amarawest. More images on Instagram: http://www.instagram.com/nealspencer_bm

If you would like to leave a comment click on the title

Filed under: Amara West 2016, anthropology, archaeology, funerary, Kite Aerial Photography #KAP, New Kingdom, Nubian, Nubian traditions, objects, Uncategorized

Amara West 2016: beneath pyramid G322

Mohamed Saad, National Corporation of Antiquities and Museums (Sudan)

Mohamed excavating in the first burial chamber of G322

Mohamed excavating in the first burial chamber of G322

Our expectations before starting excavation in the pyramid tomb G322 in cemetery D were very high. It features a superstructure comprising an offering court, a funerary chapel above the shaft and a pyramid, all made from mud bricks. A gate made of sand sone once provided access to the interior of a chapel of 5.1×4.5m. The substructure is cut into schist bedrock, with a shaft covered by large schist stones, one of which still lay across the the east side. The entrance to the three burial chambers is located 3.3m below the surface, on the western side.

Burials as found in the first chamber

Burials as found in the first chamber

This year, we were finally able to enter the burial chambers, protected by metal shoring to protect us from stone fragments falling from the ceiling of the chamber. The first chamber was robbed but most of individuals were still in situ. The most recent burial, Sk322-7, was a child placed on a layer of sand directly behind the entrance. It was wrapped in a coffin made from doum-palm wood. Associated with the body we found traces of textile and some blue beads near the child’s right arm. Underneath Sk322-7, I exposed an adult individual next to the fully preserved bottom of an anthropoid wooden coffin covered with painted plaster. Maickel, our conservator, consolidated the whole piece and is now trying to expose the remaining decorating. Some ivory beads were also found around the skeleton.

Ceramic vessels found in the first chamber

Ceramic vessels found in the first chamber

A second intact adult individual was found at the western side of the chamber. A small scarab, made from ivory, was found by his arm. Moreover, the first chamber held a large number of beautiful, intact vessels, which would have once held food offerings. I recovered seven plates, a big jar, two beer jars and a very nice imported bottle. Some of them clearly date to the 19th dynasty, placing the tomb in the early phase of occupation of Amara West.

Alongside regular updates on the blog, follow the season on Twitter: @NealSpencer_BM and #amarawest. More images on instagram:

If you would like to leave a comment click on the title

Filed under: Amara West 2016, archaeology, ceramics, funerary, New Kingdom, Nubian

An introduction to Amara West: podcasts (Arabic)


تمومي فوشيا (جامعة ليدن) ونيل سبنسر (مدير قسم مصر القديمة والسودان, المتحف البريطاني

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الصورة: بعض مدرسين أحدى المدارس المحلية بجزيرة ارنتي يقرأون المعلومات المسجلة على اللوحات في منطقة الإستقبال الخاصة بمدينة عمارة غرب

أصبح موقع المدينة القديمة عمارة غرب حاليا عبارة عن مساحة عظيمة مغطاة بأطنان متراكمة من الرمال التي تمتد على طوال الضفة المهجورة من نهر النيل. تم الكشف عن انماط الحياة التي كانت سائدة من قبل داخل تلك المدينة خلال السنوات القليلة الماضية: كيف كانت تبدو منازلهم, ماذا كانوا يأكلون, ما نوع الأمراض المستوطنة التي عانى قاطنو المدينة منها, الطقوس الدينية المنتشرة حينذاك, حتى الألوان المستعملة في طلاء المنازل وكيفية تحضيرها. ولكن يبقى التساؤل محل نقاش: كيف يمكن نقل تلك المعلومات الجديدة للمجتمعات الحالية التي تقطن المنطقة؟

بجانب عدة محاضرات تم القائها , وتوزيع الكتاب المترجم الي العربية مجانا والذي يلخص الأبحاث والنتائج التي تمت في موقع حفريات المدينة: قمنا ايضا بإنشاء عدة ملصقات كبيرة مزودة بعدة صور توضيحية لزائري المدينة القديمة.

نحن نعرف ان سكان عبري وجزيرة ارنتي عادة ما يزورون الموقع, بشكل خاص خلال مواسم الأعياد على سبيل المثال. ولذلك تم إنشاء منطقة مظللة للحماية من الشمس والرياحعند منطقة إستقبال الزائرين, والتي يمكن فيها للزائرين ان ينالوا قسطا من الراحة وينعموا بقراءة – سواء باللغة العربية او الأنجليزية – نتائج الحفريات وتاريخ إكتشاف المدينة الاثارية. كما نخطط ايضا لإستضافة زيارات مدرسية في هذا المكان خلال مواسم الحفريات القادمة.

قام أحد زملائنا السودانين بإقتراح ان نقوم بعمل نماذج صوتية مسجلة لما هو مكتوب على اللوحات, حيث ان الهواتف الذكية اصبحت شائعة الأن , ويمكن إستعمالها بسهولة لتبادل المعلومات والأفلام المصورة والموسيقى.فقد أخبرنا ان هناك مجموعة من المثقفين النوبيين يقومون بتصوير النماذج القديمة من البيوت النوبية القديمة والسواقي بإستخدام الهاتف الجوال وعادة ما يقوموا بتبادل مثل تلك الصور التي تسجل مثل تلك النماذج الأصيلة من التراث المعماري والفني الخاص بالنوبة القديمة عن طريق تطبيقات حديثة تتيحها لهم الهواتف الذكية. ولذلك قمنا بعمل عدة نماذج صوتية للوحات – باللغة الأنجليزية والعربية – والتي يمكن إستعمالها من قبل أي شخص يقوم بزيارة الموقع الأثاري او حتى اي شخص مهتم بتاريخ مدينة عمارة غرب.

يمكن تنزيل هذه الأفلام القصيرة والتي تبلغ مدتها حوالي دقيقتين او ثلاثة لكل لوحة بسهولة وبدرجة جودة مرتفعة (للحواسب او التابلت) او بجودة منحفضة والتي تناسب اكثر المناطق التي لا يتوفر فيها الأنترنت السريع.

1) المدينة الفرعونية بالنوبة
جودة عاليةمنخفضة

2) تخطيط المدينة
جودة عاليةمنخفضة

3) الحياة في المدينة القديمة
جودة عاليةمنخفضة

4) الثقافة النوبية في مدينة عمارة غرب
جودة عاليةمنخفضة

5) الصحة والمأكل
جودة عاليةمنخفضة

6) التجهيزات الخاصة بعالم ما بعد الوفاة
جودة عاليةمنخفضة

7) من مدينة قديمة الى موقع أثاري
جودة عاليةمنخفضة

ازال هناك الكثير امامنا لنقوم به. تعتبر اللغة النوبية هي اللغة التي يتحدث بها سكان ارنتي وعبري , غير انهم يتحدثون العربية بطلاقة أيضا, حيث تعتبر اللغة النوبية لغة التعامل الشفاهي, وقليل من السكان من يستطيع ان يكتبها ويقرأها, سواء بحروف عربية او بحروف نوبية قديمة, ولذك نحن نأمل قريبا ان نقوم بعمل تسجيل صوتي باللغة النوبية بالتعاون مع صاحب “المقهى الثقافي” في مدينة عبري , الأستاذ فكري حسن طه.

تم عمل هذه التسجيلات الصوتية من خلال الدعم المادي المتاح من المشروع القطري السوداني الأثاري.

Filed under: anthropology, archaeology, ceramics, community engagement, conservation, Egypt Exploration Society, Modern Amara, New Kingdom, Nubian, objects, pottery, settlement

Amara West 2016: conservation challenges

Maickel van Bellegem, conservator, British Museum

In a subterranean chamber beneath tomb G322, Maickel consolidating a section of coffin

In a subterranean chamber beneath tomb G322, Maickel consolidating a section of coffin remains.

Having left London on 23 January – with a brief stop at Kawa to assess future conservation requirements – I am now in the full swing of the work here at Amara West. Last week we successfully lifted a section of coffin remains from one of the underground burial chambers beneath pyramid tomb G322.

The largest we have found at Amara West so far, measuring about 45 by 90cm, it probably formed part of the side or base of the wooden coffin. The wood and painted plaster was unfortunately in a poor state of preservation: all we could see was brown and white powder stains.

We decided to consolidate in situ using a diluted adhesive in case any remains of painted decoration had survived. If lifted in a block we can try to turn it over and expose the underside. The consolidant will in the first instance also stick to sand and whatever else is underneath together. So a good deal more work will follow to remove that: there is no guarantee for a painted surface, it may all have deteriorated into powder already… yet this is the only way to find out. Some smaller sections from the area extending towards the head had already shown that the coffin was decorated.

Painted plaster surface from coffin remains recovered from tomb G322

Painted plaster surface from coffin remains recovered from tomb G322.

In the meantime other fragile finds have been gathering on my desk at the workroom: worked wood, worked ivory/bone, bitumen and textile remains, a metal pin…

A number of fragile finds are awaiting assessment and treatment.

A number of fragile finds are awaiting assessment and treatment.

Last but not least a copper alloy mirror with remnants of textiles adhering to it was discovered by Mohamed Saad earlier this week. This, and other objects, will each get their dose of attention in the next few weeks.

Copper alloy mirror from G322, with textile adhering to it (F8768)

Copper alloy mirror from G322, with textile adhering to it (F8768)

Alongside regular updates on the blog, follow the season on Twitter: @NealSpencer_BM and #amarawest. For more images, visit instagram.com/nealspencer_bm

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Filed under: Amara West 2016, archaeology, conservation, funerary, New Kingdom

Amara West 2016: a villa and its surroundings

Manuela Lehmann (Project Curator, British Museum)

Panorama looking up towards the ancient town

Panorama looking up towards the ancient town

The focus of work this season lies in the cemetery area: the town is almost entirely deserted. Well, not entirely: one small group of daring archaeologists withstands the bitter cold and strong winds to investigate … a series of small walls.

Today we were six people in the town area, the highest number so far this season. Alongside Tomomi Fushiya and Ariadna Balbastre drawing plans of a suburban house (D11.4), three of our workmen – Ahmed Medani, Hassan Nouri and Fouad Ali Gindi – are helping me seek further insights into details of life in this late New Kingdom town.

This small team is focusing on several areas. To the south of the large house D11.1, already excavated last season, we are now focusing on cleaning a large area – courtyard? – in front of the house, as the site slopes down towards the Nile. This has proved difficult, as very strong winds have been blowing sand back into the excavated areas.

The wind howls across the lower part of Amara West town

The wind howls across the lower part of Amara West town

In the northern part of the courtyard more garden plots have emerged. Many of these rectangular structures, made of mud ridges and likely to designed to contain vegetables or other plants, have been found. This year, for the first time, we discovered small pits within them and one of them contained the stalk of a smaller tree or bush. Botanical analysis should be able to tell us what sort of plant was growing here.

Apart from the garden plots, the remains of seven ovens and ash pits around the courtyard have been excavated one by one: all displaying varying shades of white to grey to black and red. The remains of a bread mould – and the typical cylindrical ceramic construction – indicate the function of at least some as bread ovens, though some of the ash pits may have been simple hearths, or pits associated with producing charcoal.

Ovens in the courtyard in front of house D11.4

Ovens in the courtyard in front of house D11.4

Slightly to the southeast of villa, D11.1 two small mud brick walls were cleared. Parts of them were covered by our own spoil heaps from last year (luck of the archaeologist) and windblown sand, so the workmen had to dig through a metre of pure sand and sieved excavation deposits. These walls are distinctive, as they run at an acute angle towards each other and have little bastions projecting into the space between them. By cleaning the bricks we found a complete rim and handle of an imported pilgrim flask, sending our pottery specialists into rapture!

Fighting the spoilheap: removing sand to seek the ends of brick walls

Fighting the spoilheap: removing sand to seek the ends of brick walls

The two walls are only half a brick wide in size but were at least three rows high, probably once higher as mortar for the next course is preserved on top. So far, no further structures are associated with these walls which makes it difficult to determine their function. It is quite likely that they were used to define space that was used as further garden areas or for keeping lifestock. These are important possibilities as we consider how parts of the ancient island was used beyond the houses, temple and official buildings.

Alongside regular updates on the blog, follow the season on Twitter: @NealSpencer_BM and #amarawest. For more images, visit instagram.com/nealspencer_bm

If you would like to leave a comment click on the title

Filed under: Amara West 2016, archaeology, ceramics, New Kingdom, settlement